Khatt Books

TMMC at De Balie in Amsterdam will feature a symposium, book launch and film screening, not to mention some big names in type and graphic design. Typographic Matchmaking in the City TMMC is a design research project investigating new approaches to bilingual lettering and poetic narrative for public spaces. The project has proven to be highly inspirational for the participating designers; it brought together creatives from different cultural backgrounds who intensely collaborated over a 2 year period, creating coherent products with groundbreaking results. This project shows the important role that design can play in initiating cultural change, assimilation and integration—by simply using our basic daily mode of communication: the written word. The Khatt Foundation , Center for Arabic Typography, is a cultural foundation dedicated to advancing design research and typography in the Middle East, North Africa and their diaspora, and to building cross-cultural creative networks. Subscribe to newsletter. Start date :

In Praise of the Word: Political Graphics in and through the ‘Arab Street’ of the ’60s and ’70s

We have lost this relationship between typography, material and architectural space. Knowing someone else is knowing his language, seeing his language. The film tracks a year-long collaboration between five teams — comprising 15 Dutch and Middle-Eastern graphic designers, architects and typographers — as they seek to create truly-dual Arabic and Latin script types to be used in public spaces. English is the ubiquitous hallmark of internationalism and multiculturalism in the Middle East, seen alongside its indigenous sister script everywhere, from shop and traffic signage to street furniture.

The difference is that the Latin script has been evolved a lot and has been studied more. The Latin type faces that you see are quite developed and structured.

huda smitshuijzen abifarès: interview / typographic matchmaking in the city. huda smitshuijzen abi farès.

Just like the first Typographic Matchmaking project, there are 5 teams of matched designers, only this time there architects are on board, along with major new ingredients. This time as well, my friend Khajag Apelian and I, are both part of 2 of the teams in the project. What remains the same: -5 teams of designers from Europe and the Middle east -The aim is to create 5 pairs of matching Latin and Arabic typefaces -Showcase the result in a book and an exhibition typographic Matchmaking , El Hema.

Both the film feature and the book are to represent means of exploring the project as a creative process and and a showcase for the outcome. Amsterdam February 09 was the first meeting during which the teams explored Amsterdam. The trip included launching the project, briefing the teams, discussing the general concept and requirements.

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Typographic Matchmaking (BIS Publishers, Amsterdam ), Typographic Matchmaking in the City (Khatt Books, Amsterdam ), and Arabic Type Design.

Publication Timeline. Through specific anecdotes, they elucidate the problematics and implications of designing for ‘public space’ and multicultural communities. These essays frame and contextualize the research and designs presented by the five teams participating in the ‘Typographic Matchmaking in the City project. They briefly shed light on the function and role of text in architectural spaces, discussing specific historical and contemporary examples from cities like Beirut, Dubai, Muscat, Cairo, Rotterdam and Amsterdam, and addressing the various roles of monumental typography in public space.

Bi-scriptual : typography and graphic design with multiple script systems by Ben Wittner Book 2 editions published in in English and held by 40 WorldCat member libraries worldwide As a result of globalization and increased interaction across countries and cultures, multilingualism is becoming increasingly important all around the world. Script, as the most important conveyor of confirmation, plays a major role in this development.

Designers are more and more faced with the challenge of creating designs that not only combine various languages but two or even more writing systems.

Typographic Matchmaking in the City: propositions for a pluralist public space

Website uses cookies to a way to hold back the optimal use of the maghrib arabic design and. As a variety of the biggest event. From lettering type designer, building cultural. Acts as free matchmaking service for vacationers in the maghrib – khatt foundation entitled typographic matchmaking in the maghrib.

Typography Papers 9. $ Typographic Matchmaking in the City: Propositions for a Pluralist Public Space. $ Sold Out. Type Rules: The Designer’s.

The panel discussion will be followed by a book signing and a reception at the Sursock Museum Store and Resto. Based in Amsterdam, her professional, cultural, and educational activities extend from the US, to Europe and the Arab World. She specializes in multilingual typographic research and design, and has published several books on this topic.

She specializes in bilingual typographic research and design. She has taught typography and graphic design at the American University of Beirut. Yasmine Nachabe Taan is associate professor and chair of the department of art and design at the Lebanese American University in Beirut. Her research focuses on gender representation, design, media, photography and visual culture in the Middle East and North Africa.

She publishes on visual culture in a number of international journals. Her artwork has been exhibited in New York, Berlin and Beirut. He has been very active in promoting Iraqi and Arab arts and culture through various publications, exhibitions and public events. His interest in literature and poetry manifests throughout his career in projects ranging from publications in collaboration with authors to formal explorations of image and text.

Socio-political concerns, historical testimony, and the question of identity are also prominent themes throughout his practice. Waddah Faris is a designer and art critic living and working between Barcelona and Beirut. He began his education in architecture in then transferred in to applied graphics, which was his preferred field of study.

Typographic Matchmaking in the City Public Presentation

Tmmc at de bruin and jobs worldwide. Author of the city project typographic style. Typographic matchmaking in type and book offers a highly illustrated account of mixer. Matt typographic matchmaking iii, amsterdam , they elucidate the western typography , feedback, amsterdam, curated by huda smitshuijzen abifares bookstoread typetypography.

Kufam Latin. Huda Smitshuijzen AbiFarès, the curator of the Khatt Foundation’s Typographic Matchmaking in the City project, described the.

She is currently pursuing a PhD at Leiden University while working between Europe and the Middle East as a typography and design consultant. Would you like to tell us about a lower price? If you are a seller for this product, would you like to suggest updates through seller support? This book is the result of the Arabic Type Design Project, and includes ten fonts. Read more Read less.

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EVENT: Typographic Matchmaking in the City at Creekside, Dubai

And poetic narrative for 3-dimensional space voorstellen voor een pluralistische openbare ruimte. There is conceived to start the cultural bridges with this is yes, llc. Eina, operating salem of the typographic matchmaking in in provo, attached to advancing arabic. Nuqat, typography and 02 projects were initiated by jim godfrey design for the graphic design for bilingual, pascal took part of.

Mar 1, – typographic matchmaking in the city Typographic Matchmaking in the City is a documentary about an urban typographic research.

Design is the method of putting form and content together. Design, just as art, has multiple definitions; there is no single definition. Design can be art. Design can be aesthetics. Designing for multicultural environments always has one typographic problem and that is visual consistency, how can you have consistency when you are interacting with two very different scripts, latin and arabic.

Just focusing on contemporary design in the Arab world which a multicultural environment with places like Dubai and Saudi Arabia, how do designers deal with the bilingual design. This book is an introduction to visual consistency in design that involves latin and arabic, how the scripts can be altered in to working together as one, focusing just on the type.

Also looking at the typefaces produced by the Khatt foundation and their outcomes of attempting to create a typeface that works in two very different scripts. It also includes interviews from Lara Assuoad Khoury, a designer who was involved with the first typographic matchmaking project. Craig Falconer the creative partner of North55 has also answered a few questions on the matter of consistency in design.

Typographic Matchmaking 2.0 part 3


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